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Sinophone Adaptations of Shakespeare, 1st ed. 2022 An Anthology, 1987-2007 Global Shakespeares Series

Langue : Anglais

Coordonnateur : Joubin Alexa Alice

Couverture de l’ouvrage Sinophone Adaptations of Shakespeare
Shakespeare?s tragedies have been performed in the Sinophone world for over two centuries. Hamlet, Macbeth, and King Lear are three of the most frequently adapted plays. They have been re-imagined as political theatre, comedic parody, Chinese opera, avant-garde theatre, and experimental theatre in Hong Kong, China, and Taiwan. This ground-breaking anthology features the first English translations of seven influential adaptations from 1987 to 2007 across a number of traditional and modern performance genres in Beijing, Shanghai, Hong Kong, and Taipei. Each of the book's three sections offers a pair of two contrasting versions of each tragedy - in two distinct genres - for comparative analysis. This anthology is an indispensable tool for the teaching and research of Sinophone theatre's engagement with Western classics in the late twentieth and early twenty-first centuries.   

Chapter 1. Sinophone Shakespeares: A Critical Introduction, Alexa Alice Joubin.- Part 1. Existentialist Questions in Post-socialist China and Post-Martial-Law Taiwan.- Chapter 2. Hamlet as Political Theatre in Beijing: 哈姆雷特by Lin Zhaohua 林兆華 (1990), translated by Steven L. Riep and Ronald Kimmons and introduced by Steven Riep.- Chapter 3. Hamlet as Parody in Taipei: Shamlet 莎姆雷特 (Hamlet) by Lee Kuo-hsiu 李國修 (1992 / 2008), translated by Christopher Rea and introduced by Alexa Alice Joubin.- Part 2. Bewitched by Kunqu Opera and Avant-Garde Theatre.- Chapter 4. An Operatic Macbeth in Shanghai: Story of Bloody Hands 血手記 by Huang Zuolin 黃佐臨  (1987 / 2008), translated by Siyuan Liu and introduced by Alexa Alice Joubin.- Chapter 5. A Feminist Macbeth in Tainan: The Witches’ Sonata 女巫奏鳴曲.馬克白詩篇by Lü Po-shen呂柏伸(2007), translated and introduced by Yilin Chen.- Part 3. Self-Identities in Traditional and Experimental Jingju Opera.- Chapter 6. A Confucian King Lear in Shanghai: King Qi’s Dream 岐王夢 (King Lear) by Shanghai Jingju Theatre Company (1995), translated by Dongshin Chang and introduced by Alexa Alice Joubin.- Chapter 7. A Buddhist King Lear in Taipei: Lear Is Here李爾在此by Wu Hsing-kuo 吳興國, Contemporary Legend Theatre (2001), translated and introduced by Alexa Alice Joubin.- Coda: Chapter 8. Coda: Theatrical Bricolage of Hamlet, King Lear, Macbeth,and Othello in Beijing, 1986 

 

Alexa Alice Joubin is Professor of English, Women’s, Gender and Sexuality Studies, Theatre, International Affairs, and East Asian Languages and Literatures at George Washington University in Washington, D.C., where she co-founded and co-directs the Digital Humanities Institute. Her books include Shakespeare and East Asia (2021), Race (2019), and the co-edited volumes Cinematic Allusions to Shakespeare: International Appropriation (2022), Local and Global Myths in Shakespearean Performance (2018), and Shakespeare and the Ethics of Appropriation (2014).

English translation of seven Sinophone adaptations of “Hamlet”, “Macbeth”, and “King Lear” Plays produced between 1987 and 2007 in post-socialist China, post-martial law Taiwan, and Hong Kong Performances are available in re-playable media through the MIT Global Shakespeares open-access archive

Date de parution :

Ouvrage de 288 p.

14.8x21 cm

Disponible chez l'éditeur (délai d'approvisionnement : 15 jours).

137,14 €

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Date de parution :

Ouvrage de 288 p.

14.8x21 cm

Disponible chez l'éditeur (délai d'approvisionnement : 15 jours).

137,14 €

Ajouter au panier